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Theatre review: A Streetcar Named Desire
The Bakehouse Theatre has chosen one of the 20th century’s great plays to mark its last hurrah and it hits all the show-stopping notes we’ve come to expect.
The Bakehouse Theatre has chosen one of the 20th century’s great plays to mark its last hurrah and it hits all the show-stopping notes we’ve come to expect.
Overflowing with wit and mercurial polemic, Watchlist at The Bakehouse is an ambitious comedy with a sharp message.
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Emerging from this outstanding stage adaptation of George Orwell’s 1984, you feel something like Winston Smith leaving the Ministry of Love: psychologically crushed and grateful for it.
Fawlty Towers – Live seamlessly merges several episodes of the original show, reminding us of so much that was endearing about the original. To treat it as merely a sentimental trip back to the celebrated comedy series, however, would be to overlook the freshness and the quality of performances brought to it by the current cast.
Australian writer Sue Smith’s Machu Picchu is about relationships: how they can be torn apart, how they can achieve longevity and how the sparks that initiated them can be reignited.