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Festivals

Festivals

OzAsia film review: The Villainess

With full-throttle, gruesome action – including a motorbike chase involving Samurai swords – this cutting-edge Korean film is a cracker, writes Peter C Pugsley.

Festivals

OzAsia film review: Apprentice

Singapore’s system of capital punishment is contentious, even within a nation where it seems to have majority support, and this OzAsia Festival film confronts the issue in a sobering way.

Festivals

World’s first ‘virtual opera’ coming to Adelaide

Japanese virtual pop phenomenon Hatsune Miku will make her Australian debut at this year’s OzAsia Festival in the world’s first opera without humans - a work festival director Joseph Mitchell says pushes the boundaries of the artform.