Whether it’s beautiful, humorous, provocative or poignant, public art needs that X factor to be successful. In the second article in a two-part series, John Neylon highlights some prime examples in Adelaide.
Adelaide has had its fair share of debates about public art, from the Hajek sculptures in the Festival Plaza to the pigs in Rundle Mall. In the first article in a two-part series, John Neylon offers his take on the subject and argues that the tide is turning for individual artists creating work for the public sphere.