Music
Review: The Merry Widow
Director and choreographer Graeme Murphy has created a visual feast with this pacy new production of The Merry Widow presented by the State Opera, writes reviewer Greg Elliott.
Music
Director and choreographer Graeme Murphy has created a visual feast with this pacy new production of The Merry Widow presented by the State Opera, writes reviewer Greg Elliott.
Music
State Opera SA will shine a spotlight on three ‘lost’ Australian operas in its 2019 season, including two works to be presented in the historic Queen’s Theatre and “a deadly serious choral fantasy” based on a Louis Carroll poem.
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The Adelaide Festival continues its proud tradition of presenting new operas with Hamlet – a transfixing production that brings an invigorating modernity to Shakespeare’s famous tragedy, writes Greg Elliott.
The rare double bill of Spanish opera La Vida Breve and Puccini’s popular Gianni Schicchi delivers an enriching night’s entertainment that balances tragedy and comedy, sensitivity and irony, writes Greg Elliott.
Following this year’s sell-out success Saul, the Adelaide Festival has announced that its 2018 program will feature another acclaimed operatic work from the UK’s Glyndebourne Festival: Australian composer Brett Dean’s adaptation of Hamlet.
Japanese virtual pop phenomenon Hatsune Miku will make her Australian debut at this year’s OzAsia Festival in the world’s first opera without humans – a work festival director Joseph Mitchell says pushes the boundaries of the artform.
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