Adelaide Fringe
Fringe review: Ella at Zardi’s
There’s no pretence to perfection in Ella at Zardi’s, a truly transportive tribute act that at its heart is what the Fringe is all about. ★★★★
Adelaide Fringe
There’s no pretence to perfection in Ella at Zardi’s, a truly transportive tribute act that at its heart is what the Fringe is all about. ★★★★
Adelaide Fringe
John Waters and his band bring to life the essence of Belgian songwriter Jacques Brel with an animated performance that perfectly re-creates the theatricality of the original songs. ★★★★½
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Anchored by Cal Williams Jr on guitar, this journey through highlights of the Mississippi and Georgia blues, with Mary Trees on percussion and Kory Horwood on double bass, is an utter delight. ★★★★★
The jubilant moves and heartfelt passion of the Grammy-winning Soweto Gospel Choir are infectious as the performers bring the music and spirit of South Africa to Adelaide Fringe. ★★★★
Vika and Linda Bull have added polish to many recordings by others but it is always a delight seeing them at their exuberant best and in their own right. ★★★★½
Priscilla Armstrong, as 1930s Berlin cabaret performer Sally Bowles, sings songs from ‘Cabaret’ and ‘Threepenny Opera’ with a cheeky grin and seductive eyes that could charm the pants off an SS officer.
