Dynamic performer Meow Meow combines humour and terrific singing in a much-fêted show that is, not surprisingly, a highlight of the Adelaide Cabaret Festival.
It’s not often you get someone sweeping a path before you as proceed to your seat for an opera performance. There’s an air of regal treatment in that, but Bohème on the Beach was an egalitarian affair, and a lot of fun to boot.
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Anchored by Cal Williams Jr on guitar, this journey through highlights of the Mississippi and Georgia blues, with Mary Trees on percussion and Kory Horwood on double bass, is an utter delight. ★★★★★
The Mensforth Quintet delivered an eclectic mix of songs to an appreciative and nearly sold-out audience in the beautiful garden of the Treasury 1860 courtyard as they stepped up to the ‘feeling good’ label. ★★★
An all-star band of Australian singers headlined The Stones’ Sticky Fingers, a tribute to the band’s raw and best-selling album.
It is hard to imagine a more popular and magnificent way to reopen the Adelaide Festival Centre’s Festival Theatre than with a show featuring works by composer John Williams.