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Opinion
Does the Adelaide Festival do enough for local artists and companies? What does it mean to people on the outskirts of corporate SA? Who does it benefit, really? Stephen Orr asks some troublesome questions.
Opinion
English is a mongrel language but without the stories that can be woven from it, how do we know how to live?
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From Facebook on our phones to CCTV in our public places, a booming culture of constant surveillance is threatening our freedom, argues Adelaide writer Stephen Orr. Why, then, do so few of us care?
Adelaide author Stephen Orr’s latest novel is autobiographical, set in suburban Australia in the 1980s where a young boy struggles to make sense of the world and figure out what he wants to do with his life.
Mexican writer Juan Rulfo’s dark fable Pedro Páramo ignores boundaries between the living and the dead – but is more than just a ghost story. It is, writes Stephen Orr, a book that created a genre.
Ernst Haffner’s novel Blutsbrüder (Blood Brothers), set in the shadows of Berlin, was burned by the Nazis a year after publication. While the lost gem has been rediscovered, the fate of its author remains a mystery, writes Stephen Orr.
Subscribe now and go in the monthly draw* for your chance to WIN a $100 voucher!
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Subscribe now and go in the monthly draw* for your chance to WIN a $100 voucher!
*Terms and conditions apply