Blending big band sounds of the ’30s and ’40s with contemporary house, the Parov Stelar Band treated a standing-room-only crowd to a one-off, high-energy Adelaide Festival performance.
Based on a 1917 story by Kafka, this powerful solo performance about a primate’s struggle to overcome the confines of captivity shows that history does repeat itself. ★★★★ ½
Chronic illness is too often undiscussed in today’s society and disability is even worse, with the prefix ‘dis’ meaning ‘the negative of’, but Floral Peroxide ensures Fringe won’t fall into the trap of conforming to these dissociative norms. ★★★★
Poignant and relatable stories that marry sadness with humour hold an audience spellbound in writer Tracy Crisp’s solo show The Forgettory – a sell-out at the Adelaide Fringe which is back for a season at Bakehouse Theatre.
Columbus, Tallahassee, Wichita and Little Rock – the gang is back and they’re still killing the undead, only now there’s a new breed of evolved zombies to tackle.
The Book of Mormon is here, Adelaide, and it’s the most uproariously laugh-out-loud musical you’re ever likely to see.