InDaily

Adelaide's independent news

Support

Mass for the dead to be brought to life at Adelaide Festival

Adelaide Festival

In its first program reveal for 2020, the Adelaide Festival has announced it will present an Australian exclusive season of radical Italian director Romeo Castellucci’s reinvention of Mozart’s Requiem.

Print article

Requiem is the first of three major operatic productions to be co-produced and co-commissioned over a three-year period by the Adelaide Festival and Festival International d’Art Lyrique d’Aix-en-Provence in France, where it recently had its world premiere.

It will be presented at the Festival Theatre across four dates by an international team comprising Castellucci, British conductor Rory Macdonald, French cast members, soloists including Australian soprano Siobhan Stagg, the Adelaide Symphony Orchestra, and Adelaide-based Australian Dance Theatre.

Rachel Healy says she and Festival co-artistic director Neil Armfield are “immensely proud” to bring the show to Adelaide and co-produce it with what she describes as “the world’s greatest opera and music festival”.

“We have just returned from the premiere of Requiem in Aix-en-Provence where audiences were transfixed and critics responded with rapturous admiration for the breadth of Castellucci’s theatrical imagination and insights into the human condition.”

Romeo Castellucci’s production of Mozart’s Requiem. Photo: Pascal Victor / Festival d’Aix-en-Provence

The production, said to be a requiem to both life and death, was variously described by reviewers as a visual coup, a brilliant reinvention, audacious, and – in French newspaper Le Figaro – “a splendid meditation on the world and its disintegration”.

Castellucci – who directed the esoteric Go Down, Moses at the 2016 Adelaide Festival, and Giulio Casare in 2000 – says he believes the most interesting way for an audience to approach Mozart is “as if they’re experiencing it with new eyes and new ears and in a way re-examining his music for the first time”.

“Requiem is a celebration, a festival, an opera and a dance which is full of joy,” he says.

“It represents our life: the reason life is so often beautiful and so precious, is that we won’t be here forever.”

His musical collaborator for Requiem, Raphaël Pichon, has added other Mozart music and Gregorian chant to augment the score, which was unfinished when the composer died.

A scene from the reimagined Mozart’s Requiem. Photo: Pascal Victor / Festival d’Aix-en-Provence

In a video interview (watch below) about the production, Siobhan Stagg says it begins with a woman at the end of her life on stage and then moves backwards: “… we have a woman in her 20s and then a nine-year-old girl and then a baby at the end, so we’re thinking about death in reverse. We’re thinking about the circle of life.”

Stagg adds: “This production really demands everything of the people that are on stage … they are dancing and running and puffed out and exhausted perhaps by the end.”

Requiem will be presented at the Festival Theatre from February 28 until March 4 as part of the 2020 Adelaide Festival program.

 

We value local independent journalism. We hope you do too.

InDaily provides valuable, local independent journalism in South Australia. As a news organisation it offers an alternative to The Advertiser, a different voice and a closer look at what is happening in our city and state for free. Any contribution to help fund our work is appreciated. Please click below to become an InDaily supporter.

Powered by PressPatron

More Adelaide Festival stories

Loading next article

Subscribe to InDaily – it’s free!

South Australia’s locally owned, independent source of digital news.

Subscribe now and go in the monthly draw* for your chance to WIN a $100 Foodland voucher!

Subscribe free here

*Terms and conditions apply

Welcome back!

Did you know it’s FREE to subscribe?

Subscribe now and go in the monthly draw* for your chance to WIN a $100 voucher!

Subscribe

*Terms and conditions apply