State Opera SA’s Cavalleria Rusticana and I Pagliacci double bill is a night of love, seduction, jealousy, abandonment and abuse, writes reviewer Greg Elliott.
Yidaki virtuoso William Barton performing with the Adelaide Symphony Orchestra has to be one of the finest concerts and reconciliation events I have ever experienced.
Gala is not a typical international dance company performance that we watch with wonder and admiration, but rather a celebration of the joy of dance - an appreciation of the sense of belonging found only in communal movement.
Priscilla Armstrong, as 1930s Berlin cabaret performer Sally Bowles, sings songs from 'Cabaret' and 'Threepenny Opera' with a cheeky grin and seductive eyes that could charm the pants off an SS officer.
The opening night of Chamber Landscapes at Ukaria Cultural Centre was a rare and unforgettable experience, writes reviewer Greg Elliott.
2017 Adelaide Festival centrepiece Saul is a feast for the senses, with sumptuous settings and powerful performances.